Parsons Dance takes the outdoor stage of the Westhampton Beach project with its fabulous dancers demonstrating the technical skill and athletic energy that have attracted audiences to the company for over 35 years. On tap are beloved repertory works like Kind of Blue, a playful tribute to Miles Davis music; Nascimento, set to a specially commissioned score by famed Brazilian composer Milton Nascimento; and Caught, David Parsons’ stroboscopic masterwork. Also featured are more recent Parsons pieces: Balance of Power, a gripping solo created for acclaimed dancer Zoey Anderson in collaboration with percussionist Giancarlo De Trizio; Side Effects, set to an electronic score by David Cloobeck; and The Road, performed to “Peace Train,” “Trouble,” and more evocative songs crafted by Yusuf/Cat Stevens.
Parsons Dance is internationally renowned for its energized, athletic ensemble work. Founded in 1985 by Artistic Director David Parsons and Tony Award-winning lighting designer Howell Binkley, the company performs both in its New York City home and throughout the world.
Heralded by The New York Times as “one of the great movers of modern dance,” David Parsons has received many accolades, including three Choreography Fellowship Grants from the National Endowment for the Arts; the Dance Magazine Award; a Howard Gilman Fellowship; the Dance Masters of America Annual Award, and the Capezio ACE Award. He has collaborated with iconic artists across all disciplines, including Dr. Billy Taylor, Milton Nascimento, Allen Toussaint, Donna Karan, Annie Leibovitz, and Ellsworth Kelly. Besides staging works selected from its vast repertory of more than 75 pieces created by David Parsons, the company also commissions pieces by both established and emerging choreographers.
Parsons Dance provides enriching experiences beyond its performances by engaging audiences of all ages through education and outreach programs that include post-show discussions, open rehearsals, studio showcases, video workshops, open company classes, summer workshops for pre-professional dancers, and in-school workshops.
All these activities are driven by the vision of Artistic Director David Parsons, who, for 37 years, has combined his choreographic gifts and talent for training dancers with a real passion for the art form.
Is an American prolific 5 Octave singer and award winning actress.
Broadway, Contemporary Soul/R&B, Pop, Rock, Jazz, Gospel and Classical
Melba Moore was destined to be a Star! It could have been her Grammy-nominated cover of the Aretha Franklin classic “Lean On Me” or her Tony Award-winning performance as ‘LuttieBelle GussieMae Jenkins’ in Purlie that solidified her place in America’s hearts, and when she became the first African-American woman to perform the role of Fantine in Les Misérables.
“Music is what God allows me to do,” declares Melba Moore. Born into a musical family, music chose Melba. “Music was a centerpiece in my family. My parents were musicians and so were many of my aunts and uncles.” Melba’s father is the legendary big band leader Teddy Hill and her mother, Bonnie Davis, had a #1 hit on the R&B charts with the song “Don’t Stop Now.” A graduate of the famed Arts High in Newark, Melba, at the encouragement of her parents went on to pursue music education at Montclair State, but her inner voice told her she had to see if she had the chops to make it as a performer. Melba’s stepfather (pianist Clement Moorman) introduced her to several agents which led to some studio work and eventually an audition that landed her a role in the cult classic Hair on Broadway in 1969. It was in Hair that Melba became the first African American woman to replace a white actress, who happened to be the acclaimed Diane Keaton, in a lead role on Broadway. One years later, she starred in Purlie, which earned her a Tony Award for Best Supporting Actress in a Musical for her portrayal as ‘Lutiebelle.’ At that time, Melba was one of the first Black women to win a Tony Award.
Ms. Moore was the first female pop/R&B artist to do a non operatic solo concert at New York City’s Metropolitan Opera House and at the Olympia in Paris. Melba was born to shine. Melba is better than ever, an elegant living legend, humanitarian, a star of stage, screen, and recordings, she’s done it all and has done it beautifully. An American trend setter, she sets the bar high. She is currently in the planning stages of her return to Broadway and Television.
She is a Grammy nominated vocalist; a film star (she was in films ‘All Dogs Go To Heaven,’ ‘The Fighting Temptations’ (Cuba Gooding, Jr. and Beyonce Knowles). Moore has a successful track record in Television with the Melba Moore Show, Melba Moore Clifton Davis Show, Falcon Crest, Ellis Island, she produced ‘Melba Moore Live’ concert for TV, she is also profiled in the docu-series on TV-One’s acclaimed ‘Unsung.’
She scored a string of Billboard charted hits … 8 top 10 R&B hits including two #1 smash hits and 3 Grammy nominations, AMA Nominations; rewards received are Tony Award, Ellis Island Award, Artist Guild Award, Trumpet Award of Excellence, NAACP Spingarn Award, History Makers Tribute.
In the 80s and 90s, Melba Moore gifted us with classic jams like “Lean On Me,” “This Is It,” “You Stepped Into My Life,” “Love’s Comin’ At Ya,” “Livin’ For Your Love,” “Falling” and “A Little Bit More” a #1 duet with Freddie Jackson. “With over 40 years in the industry, the singer and Broadway actress continues to create new music for fans to enjoy, and plans to release a new album this spring.
In recent years, the resilient and always the renaissance woman, Moore’s recording projects have primarily been gospel albums, including the CD “Nobody But Jesus.” In 2002, she released “I’m Still Here” and in 2010 she released “The Gift of Love,” a duet album of classic songs and unforgettable originals.
This multifaceted artist/philanthropist is always reaching deeper, pressing harder, ever challenging herself; keeping her audience on the edge of their seats, knowing that whatever happens next will be at least, as exciting as what happened before.
Melba Moore’s produced version of “Lift Every Voice and Sing” which was entered into the United States Congressional Record as the official Negro National Anthem in 1990, was just named an ‘American Aural Treasure,’ by the National Recording Registry of the Library of Congress for Ms. Moore’s co-produced recorded rendition of the anthem